Maestro y discípulo. Nuevas obras de Alonso Cano y Pedro de Mena

  1. Álvaro Pascual Chenel
Libro:
Coleccionismo, mecenazgo y mercado artístico: su proyección en Europa y América
  1. Antonio Holguera Cabrera (coord.)
  2. Ester Prieto Ustio (coord.)
  3. María Uriondo Lozano (coord.)

Editorial: Secretariado de Recursos Audiovisuales y Nuevas Tecnologías ; Universidad de Sevilla

ISBN: 9788417337247

Ano de publicación: 2018

Páxinas: 480-497

Congreso: Congreso Internacional Coleccionismo, Mecenazgo y Mercado Artístico (2. 2017. Sevilla)

Tipo: Achega congreso

Resumo

The aim of this proposal is to present new works of the mentioned sculptors in relation to collecting, patronage and sculptural market both at the time of its creation and at the present time. From Alonso Cano, we can point out the recent appearance of a San Diego that must be related to franciscan sculptures by Alonso Cano himself, as well as the later models by his disciple. .Especially important is the identification of a new San Pedro de Alcántara by Pedro de Mena, which is due to the patronage of Antonio Manrique de Lara, a friend and client of the sculptor who owned five works by the artist in 1688. To these works we add some other works by Pedro Mena that extend its catalog, especially in examples of Inmaculadas.