Nuevas relaciones gestuales del intérprete

  1. Peñalba Acitores, Alicia
Revista:
Trans : Transcultural Music Review = Revista Transcultural de Música

ISSN: 1697-0101

Año de publicación: 2010

Número: 14

Tipo: Artículo

Otras publicaciones en: Trans : Transcultural Music Review = Revista Transcultural de Música

Resumen

La gestualidad y el cuerpo son tópicos de interés creciente en los estudios musicológicos actuales. Los avances tecnológicos han permitido el desarrollo de nuevos instrumentos digitales controlados a través del gesto. En este trabajo se profundizará sobre las relaciones gestuales que tienen lugar en la interpretación de dichos instrumentos digitales, comparándolas con los instrumentos tradicionales acústicos y estudiando los tipos de gestos y movimientos que permiten, y las implicaciones, pedagógicas, estéticas, técnicas y sociales que presentan

Referencias bibliográficas

  • Askenfelt, Anders y Jansson, Erik. 1992. "On vibration sensation and finger touch in stringed instrument playing". Music Perception, Vol. 9, 311-348, 1992.
  • Baird, Kevin C. 2005. “Real-Time Generation of Music Notation via Audience. Interaction Using Python and GNU Lilypond”. Proceedings of the 2005 Conference on New Interfaces for Musical Expression, 240-241. Vancouver, Canada.
  • Bongers, Bert. 1994. “The use of active tactile and force feedback in timbre controlling electronic instruments”. Proceedings of the International Computer Music Conference, 171-174. Arhus, Denmark, 1994.
  • Bongers, Bert. 2000. “Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance”. En Trends in Gestural Control of Music, eds. Wanderley, Marcelo Mortensen y Battier, Marc. 41-70. Paris: Centre Pompidou, IRCAM.
  • Cadoz, Claude; Lisowski, Leszek y Florens, Jean-Loup. 1990. “Modular Feedback Keyboard”. Proceedings of the International Computer Music Conference, 379-382. Glasgow, 1990.
  • Cadoz, Claude. 1988. “Instrumental gesture and musical composition”. Proceedings of the International Computer Music Conference (ICMC 88), 1-12. Cologne, Germany, San Francisco: ICMA Press.
  • Camurri, Antonio; Mazzarino, Barbara; Volpe, Gualtiero; Morasso, Pietro; Priano y Federica; Re, Cristina. 2003. “Application of multimedia techniques in the physical rehabilitation of Parkinson's patients”. Journal of Visualization and Computer Animation, 14(5): 269-278.
  • Chafe, Chris. 1993. “Tactile audio feedback”. Proceedings of the International Computer Music Conference, 76-79. Tokyo, 1993.
  • Chu, Lonny. 1996. “Haptic feedback in computer music performance”. In Proceedings of the International Computer Music Conference, 57-58. Hong Kong, 1996.
  • Cook, Perry; Morril, Dexter, y Smith, Julius O. 1993. “A MIDI control and performance system for brass instruments”. Proceedings of ICMC, 130-133. Tokyo, 1993.
  • Davidson, Jane. 1994. “Expressive movements in musical performance”. Proceedings of the Third International Conference on Music Cognition (ESCOM), 327–329. Liege, Belgium.
  • Delalande, François. 1988. “La gestique de Gould. Éléments pour une sémiologie du geste musical“. En Glenn Gould pluriel, ed. G. Guertin, 83 -111. Montréal: Louise Courteau Editrice Inc.
  • Dobrian, Christopher y Bevilacqua, Frédéric. 2003. “Gestural Control of Music Using the Vicon 8 Motion Capture System”. Proceedings of the 2003 New Interfaces for Musical Expression (NIME) conference. Montréal, Canada.
  • Dobrian, Christopher. 2001. “Aesthetic Considerations in the Use of ‘Virtual’ Music Instruments”. CHI Workshop on New Interfaces for Musical Expression. Seattle, USA, 2001.
  • Gillespie, Richard Brent 1999. “Introduction to Haptics”. En Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics, ed. Perry R. Cook, 229-245. MIT Press Cambridge, MA, USA.
  • Godøy, Rolf Inge; Haga Egil y Jensenius, Alexander Refsum. 2006. “Playing "air instruments": Mimicry of sound-producing gestures by novices and experts”. En Gesture in Human-Computer Interaction and Simulation: 6th International Gesture Workshop, eds. Gibet Sylvie; Courty Nicolas y Kamp, Jean-François. 256–267. Berder Island, France, May, 2005.
  • Gold, Rich. 1992. “It’s Play time, Fun and Games with Interactivity”. En. Cyberarts, Exploring Art & Technology, ed. Miller Freeman, coord. Jacobson, Linda. 196-202. San Francisco: Backbeat Books.
  • Impett, Jonathan. 1994. “A Meta-Trumpet(er)”. Proceedings of the International Computer Music Conference, International Computer Music Association, 147-150. San Francisco, USA, 1994.
  • Impett, Jonathan. 2003. “Gesture, space and representation in the late works of Luigi Nono”. Proceedings of the International Conference Music and Gesture, 28-Norwich, Inglaterra, 2003.
  • Jensenius, Alexander R. 2007. ACTION – SOUND. Developing Methods and Tools to Study Music-Related Body Movement. Tesis de doctorado. Departamento de Musicología. Universidad de Oslo.
  • Jordá, Sergi. 1997. Audio digital y MIDI. Guías Monográficas. Madrid: Anaya Multimedia.
  • Mauléon, Claudia. 2010. El gesto comunicativo del intérprete. Actas de la IX reunion de la SACCoM, 98-106.
  • Mulder, Axel G.E. 2000. “Towards a choice of gestural constraints for instrumental performers”. En Trends in Gestural Control of Music, eds. Wanderley, M. And Battier, M. eds., 315-335. Paris: Centre Pompidou, IRCAM.
  • Ng, Kia. 2002. “Sensing and mapping for interactive performance”. Organised Sound, v.7 n.2: 191-200.
  • Ng, Kia. 2003. “Virtual and augmented musical instruments”. Proceedings of the International Conference Music and Gesture. Norwich, 28-31 August 2003.
  • Nichols, Charles. 2002. “The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface”. Proceedings. of the New Interfaces for Musical Expression Conference (NIME 2002), 168-169. Dublin, Ireland. Ver: http://www.mle.ie/nime/.
  • O'Modhrain, Sile y Chafe, Chris. 2000. "Incorporating Haptic Feedback into Interfaces for Music Applications". Proceedings of ISORA, World Automation Conference 2000.
  • Palacio-Quintín, Cléo. 2003. “The Hyper-Flute”. Proceedings of the New Interfaces for Musical Expression (NIME) Conference. Montreal, 2003.
  • Pedrosa, Ricardo y MacLean, Karon. 2008. "Using Haptic Feedback to Share Control with a Smart System". Proceedings of Poster in Graphics Interface (GI 2008). Windsor, Ontario, Canada, May 2008.
  • Peñalba, Alicia y Wechsler, Robert. 2010. Danza interactiva en niños con parálisis cerebral. Actas del XXVII Congreso de la Asociación Española de Logopedia, Foniatría y Audiología. Valladolid. Julio 2010, 129-137.
  • Peñalba, Alicia. 2008. El cuerpo en la interpretación musical. Un modelo teórico basado en las propiocepciones en la interpretación de instrumentos acústicos, hiperinstrumentos e instrumentos alternativos. Tesis de doctorado. Publicaciones digitales: Universidad de Valladolid. http://uvadoc.uva.es/handle/10324/55
  • Pousset, Damien. 1992. La Flute-midi, L'histoire et Quelques Applications. Tesis de doctorado. Universite Paris – Sourbonne, 1992.
  • Roads, Curtis. 1985. Composers and the Computer. William Kaufmann, Inc.
  • Risset, Jean Claude y Van Duyne, Scott C. 1996. “Real time performance interaction with a computer controlled acoustic piano”. Computer music journal, 20, nº1: 62-75.
  • Rovan J. and Hayward, V. "Typology of tactile sounds and their synthesis in gesture-driven computer music performance". En Trends in Gestural Control of Music, eds. M. Wanderley and M. Battier, 297-320. Paris: IRCAM.
  • Schneider, S.; Schönle, P.W.; Altenmüller, E; Münte, T.F. 2006. Using musical instruments to improve motor skill recovery following a stroke”. Journal of Neurology xx: 1-9.
  • Seiya Tsuruta, Yamato Kawauchi, Woong Choi, Kozaburo Hachimura (2007), "Real-Time Recognition of Body Motion for Virtual Dance Collaboration System," icat, 23-30. 17th International Conference on Artificial Reality and Telexistence (ICAT 2007).
  • Tanaka, Atau. 2000. “Musical Performance Practice on Sensor-based Instruments”. En M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: Ircam - Centre Pompidou.
  • Vergez, Cristopher. 2000. Trompette et Trompettiste: un système dynamique non-linéaire analysé, modélisé et simulé dans un contexte musical. PhD thesis. Universite Paris VI.
  • Waisvisz, Michel. 1985. “The Hands, a set of Remote MIDI-controllers”. Proceedings of the International Computer Music Conference, 313-318. International Computer Music Association, San Francisco.
  • Wanderley y Depalle. 2004. “Gestural control of sound síntesis. Proceedings of the IEEE, vol. 92, no. 4, April, 2004.
  • Wanderley, Marcelo M.; Vines, Bradley; Middelton, Neil; McKay, Donald y Hatch, Cory 2005. “The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field”. Journal of New Music Research, vol. 34, n1: 97-113.
  • Wechsler, R., Weiss, F. 2004. "Motion Sensing for Interactive Dance", IEEE-Pervasive Computing, Mobile and Ubiquitous Systems, IEEE Computer Society publications, Jan-March 2004.
  • Wechsler, Robert. 1995. “Analysis on ‘Reversals’. Cunningham Dance Technique, Issues Concerning the Perception of Symmetry in Dance”. Proceedings of the International Dance and Technology Conference (IDAT95), Vancouver, BC, Canada.
  • Wechsler, Robert .1997. “O, body swayed to music…(and vice versa)” Leonardo Magazine, MIT Press, Vol. 30, No. 5: 385-389.
  • Wechsler, Robert; Weiss, Frieder y Dowling, Peter. 2004. “EyeCon, a motion sensing tool for creating interactive dance, music and video projections” Proceedings of the Society for the study of Artificial Intelligence and the Simulation of Behavior (SSAISB)’s convention: Motion, Emotion and Cognition. University of Leeds, Leeds, England, March 29, 2004.
  • Ystad, S. y Voinier, Th. 2001. "A Virtually Real Flute". International Computer Music Journal (MIT Press), 25(2): 13-25.