Los cien años de tira narrativa (1440-1550)Los inicios de la narración gráfica impresa

  1. Bartual Moreno, Roberto
Zeitschrift:
Anuario del Departamento de Historia y Teoría del Arte

ISSN: 1130-5517

Datum der Publikation: 2011

Nummer: 23

Seiten: 9-20

Art: Artikel

Andere Publikationen in: Anuario del Departamento de Historia y Teoría del Arte

Zusammenfassung

Due to the growing academic interest in comics and graphic novels, some authors such as Roger Sabin or Santiago García have emphasized the kinship these modern genres of graphic narrative share with the Broadsheets where popular stories (lives of saints, popular scenes, mystic allegories or biblical passages) were represented in sequences of panels during the Late Middle Ages and the Renaissance. In his landmark work The History of Comic Strip, David Kunzle put together the first and only corpus (up to the present date) of this type of sequential engravings, giving them the name of Narrative Strips. Kunzle, however, held back the task of analyzing the formal features of these Narrative Strips. The purpose of this article is to provide a starting point for that task, establishing a bridge of dialogue between graphic narration and history of art.

Bibliographische Referenzen

  • SANTIAGO GARCÍA, La novela gráfica, Bilbao, Astiberri, 2010.
  • Amy GEBAUER, Christus und Die Minnende Seele: An Analysis of Circulation, Text, and Iconography, Wiesbaden, Reichert Verlag, 2011.
  • Ernst GOMBRICH, La historia del arte, México D.F., Editorial Diana, 1989.
  • Breixo HARGUINDEY, “As Cantigas de Santa María: Obra Maestra das Orixes da Historieta”, en Boletín Galego de Literatura, nº 35, Santiago de Compostela, Universidad de Santiago de Compostela, 2006, pp. 47-60.
  • David KUNZLE, The History of the Comic Strip, vol. 1: The Early Comic Strip: Narrative Strips and Picture Stories in the European Broadsheet from c. 1450 to 1825, Berkeley, California, University of California Press, 1973.
  • Alberto MANGEL, Leer imágenes, Madrid, Alianza, 2000.
  • Scott MCCLOUD, Understanding Comics: The Invisible Art, Northampton, Massachussets, Kitchen Sink Press, 1993.
  • Walter J. ONG, Oralidad y escritura: tecnologías de la palabra, trad. de Angélica Scherp, México, D. F., Fondo de Cultura Económica, 1987.
  • Gilles PIVARD Y Arthur SHELTON, The Bayeaux Tapestry: The Comic Strip, Cully, Normandía, OREP Editions, 2011.
  • Paul A. RUSSELL, Lay Theology in the Reformation: Popular Pamphleteers in Southwestern Germany, Cambridge, Cambridge University Press, 2002.
  • Thierry SMOLDEREN, Naissances de la Bande Dessinée, Bruselas, Les Impressions Nouvelles, 2009.
  • Thierry SMOLDEREN, “Preface”, A.B. Frost: An Anthology, Seattle, Fantagraphics Books, pp. 5-13.