La semana de cine de medina del campo, su implicación social y cultural

  1. Ana Isabel Cea Navas 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Zeitschrift:
Miguel Hernández Communication Journal

ISSN: 1989-8681

Datum der Publikation: 2016

Nummer: 7

Seiten: 463-482

Art: Artikel

DOI: 10.21134/MHCJ.V0I7.173 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Andere Publikationen in: Miguel Hernández Communication Journal

Zusammenfassung

The 29 years of the Film Festival Medina del Campo are an important reason to stop and raise a reflection on the work done by the team that organized this contest. By the text dedicated to the Film Week Medina del Campo, we pretend to know their origins and even deepen their evolution and development, delving into its history. We also focus and address work carried out during the first decade of the century and we´ll try to provide a perspective of the festival showing his consecration as a reference for the emerging cinema of our country, deepening the social and cultural relevance it has acquired. The guiding idea is based on the attempt to raise awareness of the contest to a national level and thus the discovery or approach by the viewer. In parallel we intend to express the support and active involvement by the Film Festival Medina del Campo has appealed, and continues to appeal, to the universe of short film format. Finally we'll highlight one of the main features of the Film Week Medina: the fact of taking into account social values, and engage with these, whose indelible mark remains on the themes and contents of the selected and projected works, year after year

Bibliographische Referenzen

  • CeaNavas, A. (2015). La representación de lo social en el cortometraje de ficción español a través del Festival de Cine de Medina del Campo: primera década del siglo XXI. Tesis Doctoral de la Universidad de Valladolid. Anexo de Tesis Doctoral de la Universidad de Valladolid. Valladolid.