Delirio y anomia en la obra de Lebbeus Woods

  1. Fernando Díaz-Pinés Mateo
Aldizkaria:
Proyecto, Progreso, Arquitectura

ISSN: 2173-1616,  2171-6897

Argitalpen urtea: 2018

Zenbakien izenburua: Arquitecturas al margen

Zenbakia: 18

Orrialdeak: 102-115

Mota: Artikulua

DOI: 10.12795/PPA.2018.I18.07 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Proyecto, Progreso, Arquitectura

Laburpena

The article offers a critical perspective of the work of Lebbeus Woods (1940, Lansing, Michigan - 2012, New York), from the argument of the concept of delirium. This approach, in parallel to that of the postmodern deregulation of the discipline, shows contemporary architecture itself as a delirious subject and a divergent conduct in Woods, derived from an anomie greater than that which is so extensive in contemporary architectural practice. In order to understand the marginality of this heterodox architect, his context of origin and basic biographical data are outlined, periodising the career of his expansive creativity, in which the concept of Anarchitecture was central. It is shown how he went beyond the limits, close to delirium, in the extent and great intensity of his work, persisting in fantasist experimentation and in his refusal to build. This he maintained throughout his life, operating outside the system of building codes and policies, well beyond a time when this was considered distinguished. Even though his thinking was neoliberal, Woods served in the margins of Capitalism until he built his only structure. He was invited by Steven Holl, in 2007, to design the Light Pavilion in the Sliced Porosity Block, an enormous multifunctional complex in Chengdu (China). The Pavilion, finished one week before his death, condenses the evolution of Woods’ ideology. The analysis of this project serves as a final conclusion.

Erreferentzia bibliografikoak

  • Aronovitz, Stanley; Martinsons, Barbara; Menser, Michael, eds. Technoscience and Cyberculture. New York: Routledge, 1996.
  • Bekkering, Henco. The Architecture Annual 2003–2004: Delft University of Technology, Delft: 010 Publishers, 2007.
  • Blog Lebbeus Woods [en línea] [consulta: 16–08–2017]. Disponible en: https://lebbeuswoods.wordpress.com.
  • Bossi, Laura, ed. Luce in città / Light in the city. En: Domus. Rozzano: Editoriale Domus Spa, enero 2013, número 965, pp. 29–36. ISSN 0012–537.
  • Buchanan, Peter. Tribune towers. En: The Architects’ Journal. London: Emap Limited, julio, 1980, volumen 172, número 31, pp. 192–193. ISSN 0003–8466.
  • Castilla Del Pino, Carlos. El delirio, un error necesario. Oviedo: Ediciones Nobel, 1998.
  • Conrad, Joseph. The shadow–line. [1917] London: Penguin Books, 1986.
  • Cowan, Robert. Two halves make a whole new city. En: The Architects’ Journal. London:Emap Limited, noviembre 22, 1989, volumen 190, número 21, p. 15. ISSN 0003–8466.
  • Evans, Robin. Traducciones. Gerona: Col–legid’ Arquitectes de Catalunya. Demarcació de Girona / Editorial Pre–textos, 2005.
  • Jacobson, Clare, ed. Slow Manifesto. Lebbeus Woods Blog. New York: Princeton Architectural Press, 2015.
  • Jameson, Fredric. Las ideologías de la teoría. Buenos Aires: Eterna Cadencia, 2014.
  • Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. [1981] London: Routledge, 2002.
  • Kumpusch, Christopha. ed. Urban Hopes. Made in China by Steven Holl. Zürich: Lars Müllers Publishers, 2014.
  • Lahui, Nadir, ed. The political unconscious of architectural. 3ª ed. [2011] New York: Routledge, 2012.
  • Leach, Neil. La an–estética de la arquitectura. Barcelona: Editorial Gustavo Gili, 2001.
  • Mccarter, Robert. Steven Holl. New York: Phaidon, 2015.
  • Moore, Rowan, Ill–digested clichés. En: The Architectural Review. London: EMAP Limited, agosto, 1990, volumen 188, número 122, p. 14. ISSN 0003861X.
  • Morris, Mark. Two hundred and eighty–eightlines. En: Log. New York: Anyone Corporation, Winter/Spring 2013, número. 27, pp. 128–136. ISSN 15474690.
  • Myers, Tracy; Woods Lebbeus; Harries, Karsten. Lebbeus Woods: experimental architecture. Pittsburg: Carnegie Museum of Art, 2004.
  • Noever, Peter, ed. The End of Architecture? Documents and Manifestos. Munich: Prestel–Verlag, 1993.
  • Página web de Lebbeus Woods [en línea] [consulta: 16–08–2017]. Disponible en: http://lebbeuswoods.net.
  • Papadakis, Andreas. Theory + Experimentation. An intellectual extravaganza. London: Academy Editions, 1993, p. 53.
  • Woods, Lebbeus. After forms. En: Perspecta. Cambridge (USA): The MIT Press, 2006, volumen 38, p. 125–132. ISSN 00790958.
  • Woods, Lebbeus. Anarchitecture: Architecture is a Political Act. En: Architectural Monographs. London: Academy Editions, 1992, número 22.
  • Woods, Lebbeus. Architecture, consciousness and the mythos of time. En: AA Files. London: Architectural Association School of Architecture, septiembre 1984, número 7, pp. 3–13. ISSN 02616823.
  • Woods, Lebbeus. Einstein tomb. Pamphlet Architecture. New York: Princeton Architectural Press, 1980, número 6.
  • Woods, Lebbeus. OneFiveFour. New York: Princeton Architectural Press, 1989.
  • Woods, Lebbeus. Radical Reconstruction. New York: Princeton Architectural Press, 1997.
  • Woods, Lebbeus. System Wien. Ostfildern–Ruit (Alemania): Hatje–Cantz, 2005.
  • Woods, Lebbeus. Terra Nova 1988–1991. En: Architecture and Urbanism. Tokyo: a+u Publishing, agosto 1991, número 91.
  • Woods, Lebbeus. The Storm and The Fall. New York: Princeton Architectural Press, 2004.
  • Woods, Lebbeus. War and Architecture / Rat iArhitektura. Pamphlet Architecture. New York: Princeton Architectural Press, 1993, número 15.
  • Woods, Lebbeus; Brown, Olive; Cook, Peter. Origins. London: Architectural Association, 1985.
Datuen iturria: Dialnet