Los sonidos de la Prehistoria: Reflexiones en torno a las evidencias de prácticas musicales del paleolítico y el neolítico en Eurasia

  1. Raquel Jiménez Pasalodos 1
  2. Ana María Alarcón Jiménez 1
  3. Neemías Santos da Rosa 1
  4. Margarita Díaz-Andreu 1
  1. 1 Universitat de Barcelona
    info

    Universitat de Barcelona

    Barcelona, España

    ROR https://ror.org/021018s57

Revista:
Vínculos de Historia

ISSN: 2254-6901

Año de publicación: 2021

Título del ejemplar: LA MÚSICA EN LA HISTORIA: ANÁLISIS Y PROPUESTAS

Número: 10

Páginas: 17-37

Tipo: Artículo

DOI: 10.18239/VDH_2021.10.01 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Vínculos de Historia

Resumen

En este artículo presentamos una breve introducción historiográfica y metodológica de la arqueología musical y la arqueoacústica como subdisciplinas de la arqueología encargadas del estudio de las evidencias materiales de las prácticas musicales del pasado remoto, y realizamos un recorrido por los principales hallazgos arqueológicos relacionados con la música, el sonido y la acústica de los espacios desde el Paleolítico al Neolítico en Eurasia. Además, proponemos una serie de hallazgos como casos de estudio que van a permitir reflexionar en torno a la importancia cultural de la musicalidad, y los posibles usos y funciones de la música en aquellas sociedades cazadoras-recolectoras y de primeros agricultores

Información de financiación

Este trabajo se enmarca en el proyecto de investigación de la ERC Advanced Grant Artsoundscapes con el título “The sound of special places: exploring rock art soundscapes and the sacred” (EC Grant Agreement 787842), cuya Investigadora Principal es Margarita Díaz-Andreu y, como tal, firma en última posición.

Financiadores

  • European Research Council
    • 787842

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