Alvar Aaltoel vínculo con Jean Arp y la estructura interna de los objetos biomórficos

  1. Jové Sandoval, José María 1
  2. Rodríguez Andrés, Jairo 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Journal:
EGA: revista de expresión gráfica arquitectónica

ISSN: 1133-6137,  2254-6103

Year of publication: 2021

Issue Title: Conversando con... Alberto Campo Baeza

Volume: 26

Issue: 42

Pages: 142-155

Type: Article

DOI: 10.4995/EGA.2021.13919 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: EGA: revista de expresión gráfica arquitectónica

Abstract

Alvar Aalto and Jean Arp converge in the early thirties. This means another step in the creative process of the Finnish master. The study delves into this artistic link and Aalto’s, singular and not casual at all, parallel experimentation with free forms. A foray into a brief sequence of works by the Finnish architect during those years, based on an analysis of the most significant sketches, allows a reflection on the continuous Aaltian search for the nature of new objects, and denotes his incessant effort to find a coherent internal structure. This research is materialized in the form of architecture with the construction of the Lapua Pavilionin 1938, to whose project, after this investigation, the authors decide to assign a sketch that could, erroneously, had been assigned to a different project at Alvar Aalto Foundation.

Bibliographic References

  • Aalto A, Schildt G, 2000. El racionalismo y el hombre. Alvar Aalto: de palabra y por escrito. Madrid: El Croquis, pp.126-132.
  • Arp H, 1931. A Propos d'art abstrait. Cahiers d'art 6º année, nº 7-8. París: Editions Cahiers d'Art, pp.357-59.
  • Arp H, 1958. Looking. Arp. New York: MoMA, pp.12-16.
  • Fleig K, 1963. Alvar Aalto. Bd. I, 1922-1962. Zurich: Artemis.
  • Giedión S, 1982. Espacio, tiempo y arquitectura. Madrid: Dossat.
  • Giedion-Welcker C, 1958. Arp: an appreciation. Arp. New York: MoMA, pp.20-26
  • Iuliano M, 2018. Avant-garde Aaltos. Aalto Beyond Finland, vol. 2. Helsinki: Rakennustieto, pp.105-119.
  • Jové J M, 2003. Alvar Aalto. Proyectar con la naturaleza. Valladolid: Universidad de Valladolid.
  • Jové J M, Rodríguez J, 2014. El espacio como imagen de un país, Alvar Aalto y los pabellones de New York y Lapua. arquitectura, símbolo y modernidad. Valladolid: Real Embajada de Noruega en España, pp.151-164.
  • Jové J M, Rodríguez J, 2019. Aalto y Bryggman en la "Suomen Messut" de Turku (1929): un laboratorio para una racionalidad extendida. Zarch nº 13, pp.76-91. https://doi.org/10.26754/ojs_zarch/zarch.2019133910
  • Miralles E, 1991. Como acotar un croissant. El Croquis nº 49-50, pp. 240-41.
  • Moholy-Nagy, 1972. La Nueva Visión. Buenos Aires: Ediciones Infinito.
  • Mundy J, 2016. The naming of Biomorphism. Biocentrism and Modernism. New York: Routledege, pp. 61-75. https://doi.org/10.4324/9781315096315-4
  • Pallasmaa, J, 1998a. Alvar Aalto: Toward a Synthetic Functionalism. Alvar Aalto: Between Humanism and Materialism. New York: MOMA, pp.21-44.
  • Pallasmaa, J, 1998b. Image and eaning. Alvar Aalto. Villa Mairea. Helsinki: Alvar Aalto Foundation, pp.70-103.
  • Pelkonen E-L, 2014. Simbolic Imagineries: Alvar Aalto's Encounters with Modern Art. Second Nature, Weil am Rhein: Vitra Design Museum GmbH, pp.116-145.
  • Pelkonen E-L, 2018a. Aalto's Entangled Geographies. Beyond Finland vol 2. Helsinki: Rakennustieto, pp.47-61.
  • Pelkonen E-L, 2018b. Families of Mind. Families of Forms Hans Arp, Alvar Aalto, and a Case of Artistic Influence. The art of Arp after 1945. Berlin: Rolandswerth, pp.139-156.
  • Robertson E, 2006. Arp: Painter, Poet, Sculptor. New Haven: Yale University Press.
  • Schildt G, 1996. Alvar Aalto. Obra completa. Barcelona: Gustavo Gili.
  • Suominen-Kokkonen R, 2007. Aino and Alvar Aalto A Shared Journey. Helsinki: Alvar Aalto Foundation y Alvar Aalto Museum.
Data source: Dialnet