"Antichità Romane" de Piranesila construcción sublimada

Abstract

If from the point of view of the Enlightenment debate about the language of architecture, Piranesi’s Carceri series represents the ground-breaking intuition that the answer may lie in understanding construction as an alternative language to classicism, then this revolutionary idea is confirmed in Antichità Romane and linked to the search for the origins of architecture in its double sense, historical and hermeneutical. The pseudo-architectural depictions and representations contained in Antichità Romane attempt to show the Roman origins of architecture, but also that their conception is governed by the same principles of rationality and essentiality that at that time were being proposed for the Enlightenment ‘refounding’ of architecture. The analysis of the etchings of the four series also reveals other, surprisingly modern, interpretative keys: decoration as a necessity, the absence of moderation and the unity of the material as a condition of the sublime, or the very tectonic conception itself of architecture.