La materialización de un sueño arquitectónico. Los proyectos de Henry Van de Velde para el Rijksmuseum Kröller-Müller

  1. Valero-Cabo, Juan Carlos 1
  2. Rincón-Borrego, Iván 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Aldizkaria:
Estoa. Revista de la Facultad de Arquitectura y Urbanismo de la Universidad de Cuenca

ISSN: 1390-9274

Argitalpen urtea: 2024

Zenbakien izenburua: Estoa 25 (Enero - Junio 2024)

Alea: 13

Zenbakia: 25

Orrialdeak: 11-32

Mota: Artikulua

DOI: 10.18537/EST.V013.N025.A01 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Beste argitalpen batzuk: Estoa. Revista de la Facultad de Arquitectura y Urbanismo de la Universidad de Cuenca

Garapen Iraunkorreko Helburuak

Laburpena

Henry van de Velde is one of the most multifaceted architects in the history of architecture in the last century, both in terms of his work and the versatility of the strategies he employed throughout his career. The Belgian architect immersed to a multitude of artistic disciplines, allowing himself to be influenced by the ideas of William Morris’s Arts & Crafts, linking himself to the beginnings of Art Nouveau or becoming involved in the Deutscher Werkbund until 1914. The development of this multidisciplinary attitude, a symptom of his creative evolution, experienced one of its most intense episodes during his working relationship with the Kröller-Müller couple of modern art collectors in the Netherlands. This research unravels Henry van de Velde’s graphic and architectural legacy in the service of the Kröller-Müller family, from the first sketches in the 1920s to the execution of the museum in 1936-57. A true example of the realisation of an architectural dream.

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