Tradición y actualidad en la configuración de la identidad musical gallegaconflictos en la construcción de la cultura
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Universidad de Valladolid
info
- Martí, Josep (ed. lit.)
- Martínez i García, Sílvia (ed. lit.)
Verlag: Subdirección General de Museos Estatales ; Ministerio de Cultura
ISBN: 84-8181-205-6
Datum der Publikation: 2004
Seiten: 121-135
Kongress: Sociedad Ibérica de Etnomusicología. Congreso (7. 2002. Madrid)
Art: Konferenz-Beitrag
Zusammenfassung
From 1939 through the present, a conflict has ensued regarding the configuraron of musical identity. This conflict has involved both contemporary. and traditional musics; apparently, traditional music has become the only * model of «music». I will analyse the processes which opérate in literature and visual arts systems -accepted inside the cultural canon- from a polysystemic viewpoint. This analysis will serve as a cóntrasting point of reference with respect to the situation of the musical system. The first part finishes with a brief consideration of the discursive developments of the period, useful for the elaboration of the hermeneutic hypothesis.Then, I will suggest two consecutive models of cultural legitimisation which permit explanation of why traditional music has assumed the representation of «music» in this selected cultural context.