Tradición y actualidad en la configuración de la identidad musical gallegaconflictos en la construcción de la cultura

  1. Carlos Villar-taboada 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Liburua:
Voces e imágenes en la etnomusicología actual: Actas del VII Congreso de la SIbE, Sociedad de Etnomusicología
  1. Martí, Josep (ed. lit.)
  2. Martínez i García, Sílvia (ed. lit.)

Argitaletxea: Subdirección General de Museos Estatales ; Ministerio de Cultura

ISBN: 84-8181-205-6

Argitalpen urtea: 2004

Orrialdeak: 121-135

Biltzarra: Sociedad Ibérica de Etnomusicología. Congreso (7. 2002. Madrid)

Mota: Biltzar ekarpena

DIALNET GOOGLE SCHOLAR

Laburpena

From 1939 through the present, a conflict has ensued regarding the configuraron of musical identity. This conflict has involved both contemporary. and traditional musics; apparently, traditional music has become the only * model of «music». I will analyse the processes which opérate in literature and visual arts systems -accepted inside the cultural canon- from a polysystemic viewpoint. This analysis will serve as a cóntrasting point of reference with respect to the situation of the musical system. The first part finishes with a brief consideration of the discursive developments of the period, useful for the elaboration of the hermeneutic hypothesis.Then, I will suggest two consecutive models of cultural legitimisation which permit explanation of why traditional music has assumed the representation of «music» in this selected cultural context.

Datuen iturria: Dialnet